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  • Recording/Mixing Engineer

  • Audio Educator

  • Waves Technical Consultant

  • Dolby Institute Scholar

  • AES Grad Studies Grants Recipient

  • CSMPTE Member

  • Your Friend

Peng Huang began to learn music when he was six years old. Same as every child, he started with the piano and met the guitar later. He found his real interest was music because of being a guitarist in a rock band at high school age, and then he got the first sound gig from Guitar Shenzhen as a live sound guy.

In 2014, he was admitted in Beijing Film Academy Sound Department with the highest achieved in the entrance exam grade, since then he was obsessed with classical music recording. With hundreds of recording experience, Peng began to serve as a freelance recording engineer with his own high-end equipment since 2016. The artists who Peng worked with include China Philharmonic Orchestra, Hebei Symphony Orchestra and EOS Symphony Orchestra. The recording spaces where Peng worked include NCPA Concert Hall, Bird's Nest National Stadium and Beijing Concert Hall. From 2015 to 2018, Peng won six CSMPTE Sound Academy Awards in China and was praised as an awarded recording engineer.

In 2020, Peng earned his master degree at Johns Hopkins University Audio Science Department in the United States. During the time he studied in the US, he had chances to work with international musicians including Leon Fleisher, Poulenc Trio, Shanghai String Quartet, The U.S. Army Brass Quintet and Brevard Music Center Orchestra. His recordings were broadcasted by WWFM, WBJC, WETA and other radio stations. On the 147th Audio Engineering Society Convention in New York, Peng won AES Student Recording Competition Award in traditional acoustics category. 

Now, Peng is hired by Beijing Film Academy as a formal faculty to teach music recording. He still focuses on classical music recording, and also works on pop music mixing with the skills and experience he learned from recording industry in years. Peng always believes that music is the best language to convey emotion. He would like to help musicians to endow their music with commercial value and make it public.